Amor mío

Abril it must return urgently to the Mexico City and so much she as Frames they are mentioned in the office of an attorney as inheritors for the reading of the testament. It is like that how they return to turn after several years. In a beginning they are not recognized: he is a very attractive man and she has turned into the most beautiful and intelligent young woman, though still his seasoned character preserves. 

The meeting returns to intensify old rancors and the exchange of words is not precisely very nice. During the meeting with the attorney they find out that both have inherited the department in which Michael and Angels were living.

At once there arises in them the intention of selling it as soon as possible and of distributing the fruit of this sale in equal parts. Nevertheless, the attorney they clarifies that for a legal problem the department could never have been notarized, his parents had initiated a judgment against the construction company, but still it has not been solved and, therefore, the building cannot sell.

This one will be a new reason of clash between both, since none wants to yield his part to other one for not giving his arm to turn, until finally, they decide to share it, that is to say, to coexist in the department.

Marcos they owe to him several months of salary and because of it he could not have paid the rent of his house, for which the fact of changing to an own department him turns out to be an excellent idea. April, for your part, is not very determined to return to The United States.

After the failure of his romantic relation with the Argentinian and of a stagnation in his career, he feels that the moment of a change has come. It decides to remain in the Mexico City to seeing what happens. But to return to the house of his mother - an extremely graceful, but very selfish personage - is unthinkable, and after doing the attempt for one day, decides that any thing is preferable to it, enclosed to live with his enemy. As consequence, In April and Frames change to the department that concerned to his parents. This obliged conviviality, since it is of waiting, is not not easy at all.

It is a question of two persons with characters and completely different interests, with a past jointly not agreeably at all and with own conflicts still for resolving. Nevertheless, beyond his apparent ones? Irreconcilable differences ', an irresistible attraction is guessed between both that it will fight to go out to the light and that it will finish for gaining the battle. This mutual attraction (visible both for the spectator and for other prominent figures) is something that they insist on denying, on denying and pretending, but it is becoming increasingly evident as the history, chapter passes to chapter.

The department in which they coexist has almost the character of one more protagonist; it will be the center of the action, witness of his innumerable ones you fight, discussions, reconciliations, and housing for occasional friends, friends, ex-boyfriends, sisters, etc. And, much more than a physical place, it will turn into the scene where both will have the possibility of being not only to yes same and to other one, but also of recovering the history spent from his absent parents, recovering the own wounds of his infancy.

This way, the conviviality will allow that In April and Frames should achieve his aims: to leave the past behind, to grow, and to turn into two adult beings capable of doing his own lives, working and loving.